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Poplar, who wore two hours of age-appropriate make-up each day during filming – Mr. Jewison did his bit by gluing the gray hair from his beard onto his star’s dark eyebrows – made Tevye’s image highly convincing, according to many critics. .
In a review of the film in The New Yorker, Pauline Kael wrote of it:
“He is rough, masculine, with a strong, brute strength, but at the same time sensual and warm. He is a poor man, but he is not a small man, he is a big man, humiliated – a man of Old Testament dimensions, humiliated by the circumstances of oppression.
Information about the survivors did not come immediately.
Topol is the author of two books: the memoirs Topol-Topol (1981) and The Topol Treasury of Jewish Humor, Wit and Wisdom (1994).
Among his laurels was the Israel Prize, the country’s highest cultural honor, which he received in 2015. Recognition has come both for his acting skills and for his charitable work, in particular for helping to establish the Jordan River Village, a holiday camp in Israel. for seriously ill children from all over the world. ethnic and religious affiliation. Modeled after Paul Newman’s The Wall Gang Camp Hole in Connecticut, it opened in 2011.
Year after year, Topol found that the part he knew best was a constant source of illumination.
“I created Fiddler for a long time thinking it was a story about the Jewish people,” he said in a 2009 interview. “But now I perform all over the world. And the most fantastic thing is that wherever I am – in India, Japan, England, Greece, Egypt – people come up to me after the performance and say: “This is also our story.”
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